Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 1996/97 | Savage Honeymoon | Steve Sachs, Mark Beesley | Script development | $12,500 | |
| 1996/97 | Saving Grace | Larry Parr, Costa Botes, Duncan Sarkies | Feature film production investment | $1,500,000 | |
| 1996/97 | The Last Tattoo | Neville Carson, Bill Gavin, John Reid, Keith Aberdein | Feature film production investment | $30,514 | |
| 1996/97 | The Lunatics' Ball | Michael Thorp | Feature film production investment | $15,000 | |
| 1996/97 | The Owner's Wife | Philippa Campbell, Niki Caro, Stuart McKenzie, Bridget Sutherland | Script development | $10,000 | |
| 1996/97 | Time is a Spider | Chris Hampson, George Rose | Short film production investment | $17,000 | |
| 1996/97 | Via Satellite | Philippa Campbell, Anthony McCarten, Greg McGee | Script development | $12,500 | |
| 1996/97 | What Becomes of the Broken Hearted | Bill Gavin, Ian Mune, Alan Duff | Feature film production investment | $60,000 | |
| 1996/97 | What Becomes of the Broken Hearted | Bill Gavin, Ian Mune, Alan Duff | Script development | $15,000 | |
| 1995/96 | A Moment Passing | Steve Sachs, Charlie De Salis | Short film production investment | $85,450 | |
| 1995/96 | A Woman's Heart | Trevor Haysom, Christine Rogers | Short film production investment | $101,860 | |
| 1995/96 | Bow Down Shadrach | Peter Barker, Ian Mune | Script development | $15,000 | |
| 1995/96 | Broken English | Robin Scholes, Gregor Nicholas, Johanna Piggott, Jim Slater | Feature film production investment | $1,600,000 | |
| 1995/96 | Channelling Baby | Chris Sutton, Christine Parker | Script development | $5,000 | |
| 1995/96 | Golden Delicious | Trevor Haysom, Christine Rogers | Script development | $14,700 | |
| 1995/96 | Golden Delicious | Trevor Haysom, Christine Rogers | Script development | $10,000 | |
| 1995/96 | Higher Ground | Tom Scott | Script development | $25,098 | |
| 1995/96 | I'll Make You Happy | Liz Stevens, Athina Tsoulis, Anne Tsoulis | Script development | $10,000 | |
| 1995/96 | I'll Make You Happy | Liz Stevens, Athina Tsoulis, Anne Tsoulis | Script development | $10,000 | |
| 1995/96 | Jack Brown Genius | Peter Jackson, Tony Hiles, Fran Walsh, Jamie Selkirk | Feature film production investment | $160,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).