Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 1997/98 | The Egg And The Bomb | Norman Elder, George Port, Michael Bennett | Short film production investment | $106,855 | |
| 1997/98 | The Lament For Barney Flanagan | Tony Simpson, Paul Judge | Short film post production | $16,500 | |
| 1997/98 | The Lunatics' Ball | Michael Thorp | Feature film production investment | $395,922 | |
| 1997/98 | The Price of Milk | Fiona Copland, Harry Sinclair | Feature film production investment | $1,600,000 | |
| 1997/98 | The Price of Milk | Fiona Copland, Harry Sinclair | Script development | $15,000 | |
| 1997/98 | Thinking About Sleep | Robin Laing, Brita McVeigh, Emily Perkins | Short film production investment | $69,386 | |
| 1997/98 | Venus Blue | Lara Bowen, Gillian Ashurst | Short film post production | $10,800 | |
| 1997/98 | Via Satellite | Philippa Campbell, Anthony McCarten, Greg McGee | Feature film production investment | $725,000 | |
| 1997/98 | Wedding a la Grecque | Liz Stevens, Athina Tsoulis | Script development | $5,000 | |
| 1997/98 | What Becomes of the Broken Hearted | Bill Gavin, Ian Mune, Alan Duff | Feature film production investment | $1,000,000 | |
| 1997/98 | When Love Comes | Jonathan Dowling, Michele Fantl, Garth Maxwell, Rex Pilgrim | Feature film production investment | $1,000,000 | |
| 1997/98 | Wild Blue | Grant Bradley, Dale Bradley | Feature film production investment | $496,795 | |
| 1997/98 | Wild Pork And Watercress | Land of Tears, Wild Pork and Puha | Murray Newey, Poata Eruera, Jesse Warn | Script development | $39,750 |
| 1997/98 | Willy Nilly | John Gilbert, Mike Smith | Short film production investment | $83,504 | |
| 1996/97 | A Long Undressing | Trevor Haysom, Michael Parmenter, Greg Stitt | Script development | $4,600 | |
| 1996/97 | An Untitled Love Story | Tony Hiles, Philippa Campbell, Donna Malane | Script development | $8,200 | |
| 1996/97 | Bad Boys | Norman Elder, Waka Attewell, Ian Mune, Richard Jenkins, Don Selwyn | Script development | $5,000 | |
| 1996/97 | Bella | John Harris, Phillipa Mossman, Karen Nobes, Bill Payne | Short film production investment | $110,190 | |
| 1996/97 | Big Story | Trevor Haysom, Jonothan Cullinane | Script development | $12,500 | |
| 1996/97 | Black Sands | Di Oliver, Glenis Giles, Geoff Murphy, Michael Brown, Deborah McLeod | Script development | $5,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).