Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 1996/97 | What Becomes of the Broken Hearted | Bill Gavin, Ian Mune, Alan Duff | Feature film production investment | $60,000 | |
| 1996/97 | Decaff II | Gary Hannam, John Holdsworth, Greg Page | Short film production investment | $35,000 | |
| 1996/97 | Savage Honeymoon | Steve Sachs, Mark Beesley | Script development | $12,500 | |
| 1996/97 | Channelling Baby | Chris Sutton, Christine Parker | Script development | $15,000 | |
| 1996/97 | Flying | Steve Sachs, Charlie De Salis | Short film production investment | $109,225 | |
| 1996/97 | Channelling Baby | Chris Sutton, Christine Parker | Script development | $10,000 | |
| 1996/97 | Hairy Maclary Series | Shaun Bell, Euan Frizzell | Short film production investment | $75,000 | |
| 1996/97 | Bad Boys | Norman Elder, Waka Attewell, Ian Mune, Richard Jenkins, Don Selwyn | Script development | $5,000 | |
| 1996/97 | Larger Than Life | Jamie Selkirk, Ellory Elkayem | Short film production investment | $113,360 | |
| 1996/97 | Bow Down Shadrach | Peter Barker, Ian Mune | Script development | $33,460 | |
| 1996/97 | Philosophy | Rachel Jean, Geoff Cawthorn, Martin Edmond | Short film production investment | $98,270 | |
| 1996/97 | Memory & Desire | Owen Hughes, Niki Caro | Feature film production investment | $200,000 | |
| 1996/97 | Possum | Trevor Haysom, Brad McGann | Short film production investment | $114,546 | |
| 1996/97 | Ophelia | Robin Laing, Gaylene Preston | Script development | $50,000 | |
| 1996/97 | Time is a Spider | Chris Hampson, George Rose | Short film production investment | $17,000 | |
| 1996/97 | Black Sands | Di Oliver, Glenis Giles, Geoff Murphy, Michael Brown, Deborah McLeod | Script development | $5,000 | |
| 1996/97 | Ophelia | Robin Laing, Gaylene Preston | Script development | $50,000 | |
| 1996/97 | Via Satellite | Philippa Campbell, Anthony McCarten, Greg McGee | Script development | $12,500 | |
| 1996/97 | The Last Tattoo | Neville Carson, Bill Gavin, John Reid, Keith Aberdein | Feature film production investment | $30,514 | |
| 1996/97 | Big Story | Trevor Haysom, Jonothan Cullinane | Script development | $12,500 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).