Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 1997/98 | Scarfies | Lisa Chatfield, Robert Sarkies, Duncan Sarkies | Feature film production investment | $800,000 | |
| 1997/98 | Infection | Paul Swadel, James Cunningham | Short film production investment | $55,910 | |
| 1997/98 | Channelling Baby | Caterina de Nave, Christine Parker | Feature film production investment | $1,800,000 | |
| 1997/98 | 9 Across | Matthew Metcalfe, Jesse Warn | Short film post production | $20,815 | |
| 1997/98 | Ouch | Brian Challis, Scott Wills | Short film production investment | $72,192 | |
| 1997/98 | Wild Blue | Grant Bradley, Dale Bradley | Feature film production investment | $496,795 | |
| 1997/98 | A Fine Weekend | Margaret Slater, Armagan Ballantyne, Sean Fuller | Short film post production | $14,000 | |
| 1997/98 | Several Ways Of Getting Around | Daniel Pritchard, Rachel Davies, Jo Randerson | Short film production investment | $33,900 | |
| 1997/98 | Life and Death with Trevor Truman | Judith Trye, Mike Smith, James Griffin | Script development | $15,000 | |
| 1997/98 | Angel Wings | Richard Evans, Stephanie Bauer | Short film post production | $25,000 | |
| 1997/98 | Map Films - Short Film EP | Stuart McKenzie | Short film production investment | $46,900 | |
| 1997/98 | Wedding a la Grecque | Liz Stevens, Athina Tsoulis | Script development | $5,000 | |
| 1997/98 | Blinder | Paul Swadel, James Cunningham | Short film post production | $30,000 | |
| 1997/98 | The Egg And The Bomb | Norman Elder, George Port, Michael Bennett | Short film production investment | $106,855 | |
| 1997/98 | I'll Make You Happy | Liz Stevens, Athina Tsoulis, Anne Tsoulis | Feature film production investment | $434,000 | |
| 1997/98 | Delf | Paul Swadel, James Cunningham | Short film post production | $30,000 | |
| 1998/99 | Te Po Uriuri/The Enveloping Night | Norman Elder, Toby Mills | Short film production investment | $75,000 | |
| 1998/99 | In The Dark | Norman Elder, Waka Attewell, Scott Cooksley | Script development | $10,000 | |
| 1998/99 | The Waiting Room | Emma Aubin, Amanda Barnes, Ian Hughes | Short film production investment | $82,425 | |
| 1998/99 | Dragon Rampant | Jonathan Dowling, Jeff Hayward | Script development | $9,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).