Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
Year | Title/Project | Alias | Funding Key People | Type | Amount |
---|---|---|---|---|---|
2013/14 | God of War | Tim Coddington, Guy Hamling | Script development | $17,000 | |
1996/97 | Time is a Spider | Chris Hampson, George Rose | Short film production investment | $17,000 | |
2011/12 | Return | The Return | Kelly Kilgour, Peter Burger | Script development | $17,000 |
2004/05 | Behind the Tattooed Face | Rena Owen, Riwia Brown | Script development | $17,000 | |
2009/10 | ACE (Ateliers du Cinéma Européen) - Partner Fee | ACE (Rachel Gardner selected) | Professional development | $17,000 | |
2020/21 | Worst Best Friends | Bronwyn Bakker, Jackie Van Beek, Teresa Bass | Script development | $17,000 | |
2013/14 | Unspeakable Secrets of the Aro Valley | Jonathan King, Danyl McLauchlan | Script development | $17,000 | |
2004/05 | No Borders - Partner Fee | No Borders | Professional development | $17,000 | |
1991/92 | Nga Uri Whakatupu | Rawiri Paratene, Larry Parr | Short film production investment | $17,000 | |
1998/99 | Pop | Simon Marler, Gregory King | Short film post production | $17,150 | |
2014/15 | Producer Internship (Beyond The Known World) | Dena Kennedy | Professional development | $17,150 | |
2016/17 | Life in Subtitles | Luke Robinson, Max Currie | Script development | $17,250 | |
2016/17 | Savage | Vicky Pope, Sam Kelly | Script development | $17,300 | |
1995/96 | Memory & Desire | Owen Hughes, Niki Caro | Script development | $17,350 | |
2008/09 | Poppy | Glenis Giles, Linda Niccol | Script development | $17,400 | |
2000/01 | The Waiting Room | Emma Aubin, Amanda Barnes, Ian Hughes | Short film post production | $17,425 | |
2011/12 | Accelerator Programme - Melbourne International Film Festival - Partner Fee | Melbourne International Film Festival | Professional development | $17,492 | |
1994/95 | Memory & Desire | Owen Hughes, Niki Caro | Script development | $17,500 | |
2003/04 | Firebird | L'Etoile | Rachel Jean, Christine Parker, Peter Wells | Script development | $17,500 |
2010/11 | Desert | Leanne Saunders, Matt Noonan, Stephen Kang | Feature film finishing grant | $17,500 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).