Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 2022/23 | Pan-Asian Screen Collective Inc (Core Funding) | Pan-Asian Screen Collective Inc | Industry support | $85,000 | |
| 2022/23 | Pati | Rebecca Tansley | Documentary Development | $20,000 | |
| 2022/23 | Permissive Paradise | Florian Habicht | Documentary Development | $20,000 | |
| 2022/23 | Phase 1 Screen Capability Business Innovation Programme (with Creative HQ) (Screen Sector Capability Grant) | Phase 1 Screen Capability Business Innovation Programme (with Creative HQ) | Industry support | $51,810 | |
| 2022/23 | Phase 2 Screen Capability Business Innovation Programme (with Creative HQ) (Screen Sector Capability Grant) | hase 2 Screen Capability Business Innovation Programme (with Creative HQ) | Industry support | $94,875 | |
| 2022/23 | Pitch Fest Screen Canberra (Talent Development Grant) | Pennie Hunt | Industry support | $2,141 | |
| 2022/23 | Pitch Fest Screen Canberra (Talent Development Grant) | Rachel Fawcett, Victoria Boult | Industry support | $4,600 | |
| 2022/23 | Pitch Fest Screen Canberra (Talent Development Grant) | Jason Taylor | Industry support | $2,512 | |
| 2022/23 | Pititi (Catalyst He Kauahi) | Peach | Angela Cudd, Tajim Mohammed-Kapa | Short film production investment | $115,000 |
| 2022/23 | Pohpoh wants to Die - Seed Advanced Funding | Hweiling Ow | Devolved development | $12,500 | |
| 2022/23 | Poporazzi Productions Ltd. (Industry Development Funding) | Poporazzi Productions Ltd. | Industry support | $5,000 | |
| 2022/23 | Poporazzi Productions Ltd. (Industry Development Funding) | Poporazzi Productions Ltd. | Industry support | $10,000 | |
| 2022/23 | Precipice | Nick Garrett, Roger Donaldson | Script development | $24,500 | |
| 2022/23 | Producer Attachment (pre-production) Went Up the Hill (On the Job Development) | Paige Wharehinga | Industry support | $12,520 | |
| 2022/23 | Producer Attachment (production) on Went Up the Hill (On the Job Development) | Paige Wharehinga | Industry support | $5,000 | |
| 2022/23 | Producer Mentoring on Inky Pinky Ponky (On the Job Development) | Hope Papali’i with Nicole Anne Smith | Industry support | $6,000 | |
| 2022/23 | Producer Mentoring on Inky Pinky Ponky (On the Job Development) | Elizabeth Koroivulaono with Nicole Anne Smith | Industry support | $7,500 | |
| 2022/23 | Producer Mentoring on Miles from Nowhere (On the Job Development) | Ahmed Osman with Gary Scott | Industry support | $10,000 | |
| 2022/23 | Producer Online Mentoring (On the Job Development) | Thomas Barrer with Samantha Cook | Industry support | $10,000 | |
| 2022/23 | Producer Online Mentorship (On the Job Development) | Marilyn McFadyen with Karel Segers | Industry support | $2,651 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).