Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
|Year||Title/Project||Alias||Funding Key People||Type||Amount|
|American Film Market 2017||Sue Thompson||Producer travel||$5,000|
|Berlin NATIVe 2019||Ngaire Fuata||Festival travel||$3,692|
|Dan Carter: A Perfect Ten||Rialto Distribution||Theatrical release support||$24,000|
|Juliet Furness Acting Class and Writing Room sessions||Lucy Knox||Professional development||$589|
|Merata - How Mum Decolonised the Screen (Grant)||Chelsea Winstanley, Heperi Mita||Feature film production investment||$30,000|
|Nga Whanaunga event at NZIFF in AKL and WLG||Wairoa Maori Film Festival, Leo Koziol||Industry Support||$1,500|
|The Worst Journey In the World - Interactive Development Fund||Dot Dot Ltd.||Devolved development||$25,000|
|Toronto International Film Festival||Miranda Harcourt||Festival travel||$3,000|
|Wildgaze Internship||Jacob Thomas||Professional development||$5,631|
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).