Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 2013/14 | Hui | Mitch Tawhiti Thomas, Rachel House | Script development | $10,000 | |
| 2014/15 | Hui | Mitch Tawhi Thomas, Rachel House | Script development | $2,750 | |
| 2022/23 | Howard Fine Acting (Talent Development Grant) | Gal Hochman | Industry support | $4,250 | |
| 2012/13 | Howard | Dave Gibson, Vanessa Alexander, David Brechin-Smith | Script development | $10,000 | |
| 1999/00 | How We Won the War | The Kiwi | Barrie Everard, Geoff Murphy | Script development | $15,000 |
| 2012/13 | How to Murder Your Wife | Philly de Lacey, Riccardo Pellizzeri, John Banas | Script development | $10,000 | |
| 2005/06 | How to Meet the Love of Your Life | Beautiful World | Karl Zohrab, Peter Cox | Script development | $7,000 |
| 2011/12 | How To Meet Girls From a Distance | Make My Movie | Ruth Korver, Andrew Beattie, Dean Hewison, Richard Falkner, Sam Dickson | Feature film production investment | $50,000 |
| 2018/19 | How to Get Funding Workshop | Pan Asian Screen Collective | Professional development | $2,975 | |
| 2021/22 | How Nauru Foretold the End of the the World | Carthew Neal, Victor Rodger, Matasila Freshwater | Script development | $50,000 | |
| 2012/13 | How Far Is Heaven | Jerusalem/Hiruharama | River Pictures | Theatrical release support | $7,500 |
| 2011/12 | How Far Is Heaven | Jerusalem/Hiruharama | Miriam Smith, Chris Pryor | Feature film production investment | $182,453 |
| 2013/14 | Housebound | Luke Sharpe, Gerard Johnstone | Feature film finishing grant | $25,000 | |
| 2010/11 | Housebound | Luke Sharpe, Gerard Johnstone | Feature film production investment | $270,000 | |
| 2014/15 | Housebound | Rialto | Theatrical release support | $13,500 | |
| 2009/10 | House with Hundred Rooms | Michael Wrenn, Costa Botes, Shane Danielsen | Script development | $5,000 | |
| 2017/18 | House of Wonders - Interactive Development Fund | Storybox, Jess Feast | Devolved development | $25,000 | |
| 2000/01 | Hotere | Merata Mita, Eliza Bidois | Feature film production investment | $75,000 | |
| 2000/01 | Hotere | Barrie Everard, Merata Mita | Script development | $15,000 | |
| 2015/16 | Hotel 5 | Michele Fantl, Silvana Jakich | Script development | $23,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).