Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 2000/01 | Perfect Strangers | Robin Laing, Gaylene Preston | Script development | $10,000 | |
| 2000/01 | Perfect Strangers | Robin Laing, Gaylene Preston | Script development | $44,750 | |
| 2001/02 | Perfect Strangers | Robin Laing, Gaylene Preston | Script development | $50,000 | |
| 2001/02 | Perfect Strangers | Robin Laing, Gaylene Preston | Feature film production investment | $2,150,000 | |
| 2001/02 | Perfect Strangers | Robin Laing, Gaylene Preston | Script development | $115,000 | |
| 2019/20 | Perianayaki | Bala Murali Shingade, Shreya Gejji | Short film production investment | $15,000 | |
| 2020/21 | Perianayaki - Screen Production Recovery | Bala Murali Shingade, Shreya Gejji | Short film production investment | $4,045 | |
| 2022/23 | Permissive Paradise | Florian Habicht | Documentary Development | $20,000 | |
| 2004/05 | Permissive Paradise | Florian Habicht | Script development | $13,000 | |
| 2010/11 | Peter Gilbert Masterclass - joint initiative | Script to Screen, Screen Directors Guild of New Zealand, DocEdge Trust | Professional development | $7,700 | |
| 2018/19 | Petrol Head | Trevor Haysom, Zoe McIntosh, Rochelle Bright | Script development | $24,900 | |
| 2012/13 | Petrol Head | Richard Fletcher, Rochelle Bright | Script development | $15,000 | |
| 2022/23 | Phase 1 Screen Capability Business Innovation Programme (with Creative HQ) (Screen Sector Capability Grant) | Phase 1 Screen Capability Business Innovation Programme (with Creative HQ) | Industry support | $51,810 | |
| 2022/23 | Phase 2 Screen Capability Business Innovation Programme (with Creative HQ) (Screen Sector Capability Grant) | hase 2 Screen Capability Business Innovation Programme (with Creative HQ) | Industry support | $94,875 | |
| 2014/15 | Phil Dadson: Sonics from Scratch | Orlando Stewart, Simon Ogston | Feature film finishing grant | $12,500 | |
| 1996/97 | Philosophy | Rachel Jean, Geoff Cawthorn, Martin Edmond | Short film production investment | $98,270 | |
| 2013/14 | Photos of Loving Summer | Rachel Jean, Tim Balme | Script development | $15,000 | |
| 2010/11 | Photos of Loving Summer | Rachel Jean, Katie Wolfe | Script development | $16,000 | |
| 1989/90 | Piano Lessons | Trevor Haysom, Jonothan Cullinane | Short film production investment | $90,000 | |
| 2021/22 | Picking Crew | Tanu Gago, Morgan Waru, Nacoya Anderson | Short film production investment | $100,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).