Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
Year | Title/Project | Alias | Funding Key People | Type | Amount |
---|---|---|---|---|---|
1997/98 | Accidents | James Wallace, Paul Swadel, John Cranna, Matthew Horrocks | Short film production investment | $67,300 | |
1997/98 | The Price of Milk | Fiona Copland, Harry Sinclair | Script development | $15,000 | |
1997/98 | Crooked Earth | Robin Scholes, Sam Pillsbury, Karin Altmann, Michael Brindley, Greg McGee, Waihoroi Shortland, Gavin Strawhan | Feature film production investment | $1,968,300 | |
1996/97 | Larger Than Life | Jamie Selkirk, Ellory Elkayem | Short film production investment | $113,360 | |
1996/97 | Bow Down Shadrach | Peter Barker, Ian Mune | Script development | $33,460 | |
1996/97 | Philosophy | Rachel Jean, Geoff Cawthorn, Martin Edmond | Short film production investment | $98,270 | |
1996/97 | Memory & Desire | Owen Hughes, Niki Caro | Feature film production investment | $200,000 | |
1996/97 | Possum | Trevor Haysom, Brad McGann | Short film production investment | $114,546 | |
1996/97 | Ophelia | Robin Laing, Gaylene Preston | Script development | $50,000 | |
1996/97 | Time is a Spider | Chris Hampson, George Rose | Short film production investment | $17,000 | |
1996/97 | Black Sands | Di Oliver, Glenis Giles, Geoff Murphy, Michael Brown, Deborah McLeod | Script development | $5,000 | |
1996/97 | Ophelia | Robin Laing, Gaylene Preston | Script development | $50,000 | |
1996/97 | Via Satellite | Philippa Campbell, Anthony McCarten, Greg McGee | Script development | $12,500 | |
1996/97 | The Last Tattoo | Neville Carson, Bill Gavin, John Reid, Keith Aberdein | Feature film production investment | $30,514 | |
1996/97 | Big Story | Trevor Haysom, Jonothan Cullinane | Script development | $12,500 | |
1996/97 | Bow Down Shadrach | Peter Barker, Ian Mune | Script development | $13,500 | |
1996/97 | Punitive Damage | Annie Goldson | Script development | $15,000 | |
1996/97 | I'll Make You Happy | Liz Stevens, Athina Tsoulis, Anne Tsoulis | Script development | $10,000 | |
1996/97 | The Lunatics' Ball | Michael Thorp | Feature film production investment | $15,000 | |
1996/97 | What Becomes of the Broken Hearted | Bill Gavin, Ian Mune, Alan Duff | Script development | $15,000 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).