Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 1998/99 | Ahi Ataahua | Jan Bieringa, Waka Attewell | Short film post production | $10,060 | |
| 1998/99 | Wedding a la Grecque | Liz Stevens, Athina Tsoulis | Script development | $15,000 | |
| 1998/99 | Savage Honeymoon | Steve Sachs, Mark Beesley | Feature film production investment | $15,000 | |
| 1998/99 | A Cure For Being Human | Baxter | Owen Hughes, Graeme Tetley, Gerd Pohlmann, Larry Parr, Rosemary Baragwanath, Rod Prosser | Script development | $15,000 |
| 1998/99 | Shortcuts | William Grieve | Short film post production | $13,000 | |
| 1998/99 | Life and Death with Trevor Truman | Judith Trye, Mike Smith, James Griffin | Script development | $3,500 | |
| 1998/99 | A Quiet Night | David Reid, Amanda Jenkins, Stefen Harris | Short film production investment | $58,205 | |
| 1998/99 | Wild Blue | Grant Bradley, Dale Bradley | Feature film production investment | $15,000 | |
| 1998/99 | Pop | Simon Marler, Gregory King | Short film post production | $17,150 | |
| 1998/99 | Donuts for Breakfast | Nicola Hoobin, Felicity Morgan-Rhind | Short film production investment | $101,380 | |
| 1998/99 | In The Company Of Women | Riwia Brown | Script development | $7,500 | |
| 1998/99 | Jubilee | Bill Gavin, Michael Hurst, Michael Bennett | Feature film production investment | $1,800,000 | |
| 1998/99 | Grace | Steve Sachs, Alan Erson | Short film production investment | $70,000 | |
| 1998/99 | Not Her Real Name | Cody and Some Other People | Robin Laing, Brita McVeigh | Script development | $14,800 |
| 1998/99 | The Irrefutable Truth About Demons | Dave Gibson, Glenn Standring | Feature film production investment | $1,850,000 | |
| 1999/00 | Stickmen | Michelle Turner, Nick Ward, Hamish Rothwell | Script development | $12,500 | |
| 1999/00 | Villa Vittoria | Finola Dwyer, Roger Donaldson, C.K. Stead | Script development | $2,000 | |
| 1999/00 | The Devil in Angel | Anna Rasmussen, Sima Urale | Script development | $15,000 | |
| 1999/00 | Labour of Love | The Great Maiden's Blush, Thigh of the Passionate Nymph | Owen Hughes, Andrea Bosshard | Script development | $13,500 |
| 1999/00 | Tenderfoot | Rachel Jean, Fiona Samuel | Script development | $1,800 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).