Looking at how we have funded films on their journey to production helps you to see how films get funded and the various ways we support filmmakers.
More recent, more detail
Our records date back to 1988/89 and reflect information published in our Annual Reports. Our Annual Reports were not as detailed in earlier years so more recent years have more comprehensive information. New decisions are uploaded throughout the year.
Accurate data
We have tried to ensure that these records are accurate. If any records have incorrect information, please let us know and we will correct it as soon as possible. We recommend reading the Guide to Funding Decisions before using the data.
| Year | Title/Project | Alias | Funding Key People | Type | Amount |
|---|---|---|---|---|---|
| 1996/97 | Bella | John Harris, Phillipa Mossman, Karen Nobes, Bill Payne | Short film production investment | $110,190 | |
| 1996/97 | A Long Undressing | Trevor Haysom, Michael Parmenter, Greg Stitt | Script development | $4,600 | |
| 1996/97 | Crooked Earth | Robin Scholes, Sam Pillsbury, Karin Altmann, Michael Brindley, Greg McGee, Waihoroi Shortland, Gavin Strawhan | Feature film production investment | $113,065 | |
| 1996/97 | D.S.B | Norman Elder, Waka Attewell, Scott Cooksley | Short film production investment | $96,935 | |
| 1996/97 | Pania Of The Reef | Pania | James Wallace, Virginia Heath, Peter Day | Script development | $11,343 |
| 1996/97 | What Becomes of the Broken Hearted | Bill Gavin, Ian Mune, Alan Duff | Feature film production investment | $60,000 | |
| 1997/98 | Bow Down Shadrach | Peter Barker, Ian Mune | Script development | $89,900 | |
| 1997/98 | The Price of Milk | Fiona Copland, Harry Sinclair | Feature film production investment | $1,600,000 | |
| 1997/98 | River | Rachel Jean, Geoff Cawthorn, Anne Kennedy, Christine Rogers | Script development | $15,000 | |
| 1997/98 | A Funeral | Elly Toft, Dorthe Scheffmann | Short film production investment | $72,000 | |
| 1997/98 | When Love Comes | Jonathan Dowling, Michele Fantl, Garth Maxwell, Rex Pilgrim | Feature film production investment | $1,000,000 | |
| 1997/98 | What Becomes of the Broken Hearted | Bill Gavin, Ian Mune, Alan Duff | Feature film production investment | $1,000,000 | |
| 1997/98 | The Lament For Barney Flanagan | Tony Simpson, Paul Judge | Short film post production | $16,500 | |
| 1997/98 | Accidents | James Wallace, Paul Swadel, John Cranna, Matthew Horrocks | Short film production investment | $67,300 | |
| 1997/98 | The Price of Milk | Fiona Copland, Harry Sinclair | Script development | $15,000 | |
| 1997/98 | Crooked Earth | Robin Scholes, Sam Pillsbury, Karin Altmann, Michael Brindley, Greg McGee, Waihoroi Shortland, Gavin Strawhan | Feature film production investment | $1,968,300 | |
| 1997/98 | Group Therapy | Tony Keddy, Tessa Hoffe | Short film production investment | $72,000 | |
| 1997/98 | Wild Pork And Watercress | Land of Tears, Wild Pork and Puha | Murray Newey, Poata Eruera, Jesse Warn | Script development | $39,750 |
| 1997/98 | Scarfies | Lisa Chatfield, Robert Sarkies, Duncan Sarkies | Feature film production investment | $800,000 | |
| 1997/98 | Infection | Paul Swadel, James Cunningham | Short film production investment | $55,910 |
*Asterisk indicates amount has been fully repaid (in the case of development loans) or fully recouped (in the case of production investment).